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・ Bill Redmond (footballer)
・ Bill Redpath
・ Bill Reed
・ Bill Reeder
・ Bill Reeves
・ Bill Reeves (footballer)
・ Bill Regan
・ Bill Regan (baseball)
・ Bill Regan (footballer)
・ Bill Regan (ice hockey)
・ Bill Rehm
・ Bill Reichardt
・ Bill Reichart
・ Bill Reichenbach
・ Bill Reichenbach Jr.
Bill Reid
・ Bill Reid (American football)
・ Bill Reidy
・ Bill Reifsnyder
・ Bill Reigel
・ Bill Reilich
・ Bill Reilly
・ Bill Reilly (athlete)
・ Bill Reineke
・ Bill Reinhard
・ Bill Reinhold
・ Bill Renick
・ Bill Renna
・ Bill Renner
・ Bill Rentmeester


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Bill Reid : ウィキペディア英語版
:''William Reid, Jr.''' redirects here. For the American football player and coach, see Bill Reid (American football).'''''William (Bill) Ronald Reid, Jr.''', OBC ( – ) was a Canadian artist whose works include jewelry, sculpture, screen-printing, and paintings.(Reid, William Ronald ), The Canadian Encyclopedia Some of his major creations were featured on the Canadian $20 banknote of the Canadian Journey series (2004–2012).==Biography=====Early Years=== Reid was born in Victoria, British Columbia to an American father William Ronald Reid, Sr. of Scottish-German descent(Bill Reid ), Can. Museum of Civilization and a mother, Sophie Gladstone Reid, from the Kaadaas gaah Kiiguwaay, Raven/Wolf Clan of T'anuu, or more commonly known as the Haida, one of the First Nations of the Pacific coast. He developed a keen interest in Haida art while working as a radio announcer in Toronto for CBC Radio, where he also studied jewelry making at the Ryerson Institute of Technology, having first learnt about his heritage from his maternal grandfather, who had himself been trained by Charles Edenshaw, a Haida artist of great renown.In 1951, he returned to Vancouver where he eventually established a studio on Granville Island, and became greatly interested in the works of Edenshaw, working to understand the symbolism of his work, much of which had been lost along with the many Haida traditions. During this time he also worked on salvaging artifacts, including many intricately carved totem poles which were then moldering in abandoned village sites, and aided in the partial reconstruction of a village in the University of British Columbia Museum of Anthropology. At the age of 29, he married a woman named Jane, with whom he had two children.Working in the traditional forms and modern media (usually gold, silver and argillite), he began by making jewelry before branching into larger sculptures in bronze, red cedar and Nootka Cypress (yellow cedar) usually portraying figures, animals, and scenes from folklore, which were meant to bring his ancestors' visual traditions into a contemporary form.(), Museum of Anthropology

:''William Reid, Jr. redirects here. For the American football player and coach, see Bill Reid (American football).''
William (Bill) Ronald Reid, Jr., OBC ( – ) was a Canadian artist whose works include jewelry, sculpture, screen-printing, and paintings.〔(Reid, William Ronald ), The Canadian Encyclopedia〕 Some of his major creations were featured on the Canadian $20 banknote of the Canadian Journey series (2004–2012).
==Biography==

===Early Years===
Reid was born in Victoria, British Columbia to an American father William Ronald Reid, Sr. of Scottish-German descent〔(Bill Reid ), Can. Museum of Civilization〕 and a mother, Sophie Gladstone Reid, from the Kaadaas gaah Kiiguwaay, Raven/Wolf Clan of T'anuu, or more commonly known as the Haida, one of the First Nations of the Pacific coast. He developed a keen interest in Haida art while working as a radio announcer in Toronto for CBC Radio, where he also studied jewelry making at the Ryerson Institute of Technology, having first learnt about his heritage from his maternal grandfather, who had himself been trained by Charles Edenshaw, a Haida artist of great renown.
In 1951, he returned to Vancouver where he eventually established a studio on Granville Island, and became greatly interested in the works of Edenshaw, working to understand the symbolism of his work, much of which had been lost along with the many Haida traditions. During this time he also worked on salvaging artifacts, including many intricately carved totem poles which were then moldering in abandoned village sites, and aided in the partial reconstruction of a village in the University of British Columbia Museum of Anthropology. At the age of 29, he married a woman named Jane, with whom he had two children.
Working in the traditional forms and modern media (usually gold, silver and argillite), he began by making jewelry before branching into larger sculptures in bronze, red cedar and Nootka Cypress (yellow cedar) usually portraying figures, animals, and scenes from folklore, which were meant to bring his ancestors' visual traditions into a contemporary form.〔(), Museum of Anthropology〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「:'''''William Reid, Jr.''' redirects here. For the American football player and coach, see Bill Reid (American football).'''''William (Bill) Ronald Reid, Jr.''', OBC ( – ) was a Canadian artist whose works include jewelry, sculpture, screen-printing, and paintings.(Reid, William Ronald ), The Canadian Encyclopedia Some of his major creations were featured on the Canadian $20 banknote of the Canadian Journey series (2004–2012).==Biography=====Early Years=== Reid was born in Victoria, British Columbia to an American father William Ronald Reid, Sr. of Scottish-German descent(Bill Reid ), Can. Museum of Civilization and a mother, Sophie Gladstone Reid, from the Kaadaas gaah Kiiguwaay, Raven/Wolf Clan of T'anuu, or more commonly known as the Haida, one of the First Nations of the Pacific coast. He developed a keen interest in Haida art while working as a radio announcer in Toronto for CBC Radio, where he also studied jewelry making at the Ryerson Institute of Technology, having first learnt about his heritage from his maternal grandfather, who had himself been trained by Charles Edenshaw, a Haida artist of great renown.In 1951, he returned to Vancouver where he eventually established a studio on Granville Island, and became greatly interested in the works of Edenshaw, working to understand the symbolism of his work, much of which had been lost along with the many Haida traditions. During this time he also worked on salvaging artifacts, including many intricately carved totem poles which were then moldering in abandoned village sites, and aided in the partial reconstruction of a village in the University of British Columbia Museum of Anthropology. At the age of 29, he married a woman named Jane, with whom he had two children.Working in the traditional forms and modern media (usually gold, silver and argillite), he began by making jewelry before branching into larger sculptures in bronze, red cedar and Nootka Cypress (yellow cedar) usually portraying figures, animals, and scenes from folklore, which were meant to bring his ancestors' visual traditions into a contemporary form.(), Museum of Anthropology」の詳細全文を読む
'William Reid, Jr. redirects here. For the American football player and coach, see Bill Reid (American football).''William (Bill) Ronald Reid, Jr., OBC ( – ) was a Canadian artist whose works include jewelry, sculpture, screen-printing, and paintings.(Reid, William Ronald ), The Canadian Encyclopedia Some of his major creations were featured on the Canadian $20 banknote of the Canadian Journey series (2004–2012).==Biography=====Early Years=== Reid was born in Victoria, British Columbia to an American father William Ronald Reid, Sr. of Scottish-German descent(Bill Reid ), Can. Museum of Civilization and a mother, Sophie Gladstone Reid, from the Kaadaas gaah Kiiguwaay, Raven/Wolf Clan of T'anuu, or more commonly known as the Haida, one of the First Nations of the Pacific coast. He developed a keen interest in Haida art while working as a radio announcer in Toronto for CBC Radio, where he also studied jewelry making at the Ryerson Institute of Technology, having first learnt about his heritage from his maternal grandfather, who had himself been trained by Charles Edenshaw, a Haida artist of great renown.In 1951, he returned to Vancouver where he eventually established a studio on Granville Island, and became greatly interested in the works of Edenshaw, working to understand the symbolism of his work, much of which had been lost along with the many Haida traditions. During this time he also worked on salvaging artifacts, including many intricately carved totem poles which were then moldering in abandoned village sites, and aided in the partial reconstruction of a village in the University of British Columbia Museum of Anthropology. At the age of 29, he married a woman named Jane, with whom he had two children.Working in the traditional forms and modern media (usually gold, silver and argillite), he began by making jewelry before branching into larger sculptures in bronze, red cedar and Nootka Cypress (yellow cedar) usually portraying figures, animals, and scenes from folklore, which were meant to bring his ancestors' visual traditions into a contemporary form.(), Museum of Anthropology


:''William Reid, Jr. redirects here. For the American football player and coach, see Bill Reid (American football).''
William (Bill) Ronald Reid, Jr., OBC ( – ) was a Canadian artist whose works include jewelry, sculpture, screen-printing, and paintings.〔(Reid, William Ronald ), The Canadian Encyclopedia〕 Some of his major creations were featured on the Canadian $20 banknote of the Canadian Journey series (2004–2012).
==Biography==

===Early Years===
Reid was born in Victoria, British Columbia to an American father William Ronald Reid, Sr. of Scottish-German descent〔(Bill Reid ), Can. Museum of Civilization〕 and a mother, Sophie Gladstone Reid, from the Kaadaas gaah Kiiguwaay, Raven/Wolf Clan of T'anuu, or more commonly known as the Haida, one of the First Nations of the Pacific coast. He developed a keen interest in Haida art while working as a radio announcer in Toronto for CBC Radio, where he also studied jewelry making at the Ryerson Institute of Technology, having first learnt about his heritage from his maternal grandfather, who had himself been trained by Charles Edenshaw, a Haida artist of great renown.
In 1951, he returned to Vancouver where he eventually established a studio on Granville Island, and became greatly interested in the works of Edenshaw, working to understand the symbolism of his work, much of which had been lost along with the many Haida traditions. During this time he also worked on salvaging artifacts, including many intricately carved totem poles which were then moldering in abandoned village sites, and aided in the partial reconstruction of a village in the University of British Columbia Museum of Anthropology. At the age of 29, he married a woman named Jane, with whom he had two children.
Working in the traditional forms and modern media (usually gold, silver and argillite), he began by making jewelry before branching into larger sculptures in bronze, red cedar and Nootka Cypress (yellow cedar) usually portraying figures, animals, and scenes from folklore, which were meant to bring his ancestors' visual traditions into a contemporary form.〔(), Museum of Anthropology〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「:''William Reid, Jr. redirects here. For the American football player and coach, see Bill Reid (American football).''William (Bill) Ronald Reid, Jr.''', OBC ( – ) was a Canadian artist whose works include jewelry, sculpture, screen-printing, and paintings.(Reid, William Ronald ), The Canadian Encyclopedia Some of his major creations were featured on the Canadian $20 banknote of the Canadian Journey series (2004–2012).==Biography=====Early Years=== Reid was born in Victoria, British Columbia to an American father William Ronald Reid, Sr. of Scottish-German descent(Bill Reid ), Can. Museum of Civilization and a mother, Sophie Gladstone Reid, from the Kaadaas gaah Kiiguwaay, Raven/Wolf Clan of T'anuu, or more commonly known as the Haida, one of the First Nations of the Pacific coast. He developed a keen interest in Haida art while working as a radio announcer in Toronto for CBC Radio, where he also studied jewelry making at the Ryerson Institute of Technology, having first learnt about his heritage from his maternal grandfather, who had himself been trained by Charles Edenshaw, a Haida artist of great renown.In 1951, he returned to Vancouver where he eventually established a studio on Granville Island, and became greatly interested in the works of Edenshaw, working to understand the symbolism of his work, much of which had been lost along with the many Haida traditions. During this time he also worked on salvaging artifacts, including many intricately carved totem poles which were then moldering in abandoned village sites, and aided in the partial reconstruction of a village in the University of British Columbia Museum of Anthropology. At the age of 29, he married a woman named Jane, with whom he had two children.Working in the traditional forms and modern media (usually gold, silver and argillite), he began by making jewelry before branching into larger sculptures in bronze, red cedar and Nootka Cypress (yellow cedar) usually portraying figures, animals, and scenes from folklore, which were meant to bring his ancestors' visual traditions into a contemporary form.(), Museum of Anthropology」
の詳細全文を読む

''William (Bill) Ronald Reid, Jr.''', OBC ( – ) was a Canadian artist whose works include jewelry, sculpture, screen-printing, and paintings.(Reid, William Ronald ), The Canadian Encyclopedia Some of his major creations were featured on the Canadian $20 banknote of the Canadian Journey series (2004–2012).==Biography=====Early Years=== Reid was born in Victoria, British Columbia to an American father William Ronald Reid, Sr. of Scottish-German descent(Bill Reid ), Can. Museum of Civilization and a mother, Sophie Gladstone Reid, from the Kaadaas gaah Kiiguwaay, Raven/Wolf Clan of T'anuu, or more commonly known as the Haida, one of the First Nations of the Pacific coast. He developed a keen interest in Haida art while working as a radio announcer in Toronto for CBC Radio, where he also studied jewelry making at the Ryerson Institute of Technology, having first learnt about his heritage from his maternal grandfather, who had himself been trained by Charles Edenshaw, a Haida artist of great renown.In 1951, he returned to Vancouver where he eventually established a studio on Granville Island, and became greatly interested in the works of Edenshaw, working to understand the symbolism of his work, much of which had been lost along with the many Haida traditions. During this time he also worked on salvaging artifacts, including many intricately carved totem poles which were then moldering in abandoned village sites, and aided in the partial reconstruction of a village in the University of British Columbia Museum of Anthropology. At the age of 29, he married a woman named Jane, with whom he had two children.Working in the traditional forms and modern media (usually gold, silver and argillite), he began by making jewelry before branching into larger sculptures in bronze, red cedar and Nootka Cypress (yellow cedar) usually portraying figures, animals, and scenes from folklore, which were meant to bring his ancestors' visual traditions into a contemporary form.(), Museum of Anthropology」
の詳細全文を読む



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